{"id":5147,"date":"2021-10-13T16:07:13","date_gmt":"2021-10-13T15:07:13","guid":{"rendered":"https:\/\/www.epefrance.org\/?p=5147"},"modified":"2021-10-13T16:07:13","modified_gmt":"2021-10-13T15:07:13","slug":"journee-detudes-lalterite-en-scene-vendredi-15-octobre-2021-10h-18h","status":"publish","type":"post","link":"https:\/\/www.epefrance.org\/fr\/coloquio\/journee-detudes-lalterite-en-scene-vendredi-15-octobre-2021-10h-18h\/","title":{"rendered":"Journ\u00e9e d\u2019\u00e9tudes \u00ab L\u2019alt\u00e9rit\u00e9 en sc\u00e8ne \u00bb Vendredi 15 octobre 2021, 10h \u2013 18h"},"content":{"rendered":"
Lien Zoom : <\/b><\/span>https:\/\/us02web.zoom.us\/j\/87431034292<\/b><\/a><\/span><\/div>\n
ID de r\u00e9union : 874 3103 4292<\/b><\/span>\u00a0<\/b><\/span><\/div>\n
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Table 1\u00a0: L\u2019Alt\u00e9rit\u00e9 dans la fiction litt\u00e9raire (10h-12h), salle Carlos Serrano<\/b><\/span><\/div>\n
\u00a0<\/b><\/div>\n
Mod\u00e9ratrice<\/b>\u00a0: V\u00e9ronique Bonnet, ma\u00eetre de conf\u00e9rences en litt\u00e9ratures francophones, Universit\u00e9 Sorbonne Paris Nord<\/div>\n
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Figuration de la barbarie dans la fiction de Maria Firmina dos Reis<\/b><\/span><\/div>\n
Jessica Assard, doctorante \u00e0 Sorbonne Universit\u00e9<\/div>\n
La production litt\u00e9raire de Maria Firmina dos Reis (Br\u00e9sil, 1822 – 1917) adopte un ton ouvertement abolitionniste pour d\u00e9noncer le traitement inhumain inflig\u00e9 aux Africains victimes de la traite n\u00e9gri\u00e8re et de l’esclavage. Il sera question de montrer comment s’op\u00e8re la critique de la barbarie des agents de ce commerce \u00e0 partir du point de vue de l’esclave dans le roman\u00a0\u00darsula<\/i>\u00a0(1859) et la nouvelle\u00a0A escrava<\/i>\u00a0(1887).<\/div>\n
<\/div>\n
Traduire Mon\u00e9nembo et Mabanckou au Br\u00e9sil\u00a0: que faire des \u00ab\u00a0clich\u00e9s\u00a0\u00bb\u00a0?<\/b><\/span><\/div>\n
Mirella Botaro, doctorante \u00e0 Sorbonne Universit\u00e9<\/div>\n
Le clich\u00e9 est en g\u00e9n\u00e9ral \u00e0 bannir de la litt\u00e9rature. On dit de lui qu\u2019il appauvrit et simplifie l\u2019Autre et, ce faisant, encombre le travail du traducteur de \u00ab\u00a0d\u00e9voiler\u00a0\u00bb cet Autre pleinement. Je propose une r\u00e9flexion sur son usage dans\u00a0Pelourinho<\/i>\u00a0(1995) et\u00a0Verre Cass\u00e9<\/i>\u00a0(2005), romans de Tierno Mon\u00e9nembo et Alain Mabanckou respectivement, dans la perspective de leur traduction au Br\u00e9sil. Qu\u2019arrive-t-il aux images fig\u00e9es du \u00ab\u00a0Br\u00e9sil\u00a0\u00bb et de l\u2019\u00ab\u00a0Afrique\u00a0\u00bb lorsqu\u2019on les d\u00e9place de la \u00ab\u00a0francophonie\u00a0\u00bb \u00e0 la \u00ab\u00a0lusophonie\u00a0\u00bb br\u00e9silienne\u00a0?<\/div>\n
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Les litt\u00e9ratures africaines ont-elles besoin de l\u2019alt\u00e9rit\u00e9 pour exister aux yeux du monde\u00a0?<\/b><\/span><\/div>\n
Xavier Garnier, professeur de litt\u00e9ratures fran\u00e7aise et francophones \u00e0 l’universit\u00e9 Sorbonne Nouvelle – Paris 3.<\/div>\n
Interroger l\u2019Afrique au prisme de la notion d\u2019alt\u00e9rit\u00e9 nous am\u00e8nera \u00e0 revenir sur la fa\u00e7on dont les \u00e9tudes postcoloniales ont, par leur critique de la mise en image de soi et des autres, pr\u00e9par\u00e9 le tournant \u00e9copo\u00e9tique des litt\u00e9ratures africaines.<\/div>\n
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PAUSE D\u00c9JEUNER<\/b><\/div>\n
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Table 2\u00a0:<\/b><\/span>\u00a0<\/b><\/span>L\u2019Alt\u00e9rit\u00e9 en mouvement\u00a0: humains et non humains en exposition (14h-15h45), salle Carlos Serrano<\/b><\/span><\/div>\n
\u00a0<\/b><\/div>\n
Mod\u00e9rateur\u202f<\/b>: Michel\u00a0Riaudel, professeur \u00e9tudes lusophones \u00e0 Sorbonne Universit\u00e9<\/div>\n
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Exibi\u00e7\u00e3o de seres humanos na Exposi\u00e7\u00e3o Colonial Portuguesa (1934): hist\u00f3ria, contexto e dilemas \u00e9ticos.<\/b><\/span><\/span><\/div>\n
Patr\u00edcia Ferraz de Matos, Universidade de Lisboa.<\/span><\/div>\n
Nesta apresenta\u00e7\u00e3o ser\u00e1 feita uma an\u00e1lise da Exposi\u00e7\u00e3o Colonial Portuguesa, realizada no Porto em 1934, destacando o fen\u00f3meno da exibi\u00e7\u00e3o de seres humanos ent\u00e3o frequente neste tipo de eventos. A an\u00e1lise parte do contexto hist\u00f3rico (nacional e internacional) deste fen\u00f3meno, e suas implica\u00e7\u00f5es, e discute posteriormente os resqu\u00edcios desta e de outras exposi\u00e7\u00f5es, nomeadamente em espa\u00e7os p\u00fablicos, assim como algumas instiga\u00e7\u00f5es \u00e9ticas e cient\u00edficas.<\/span><\/div>\n
\u00a0<\/span><\/div>\n
Jacques Huber\u00a0: produ\u00e7\u00e3o art\u00edstica de um bot\u00e2nico transnacional<\/b><\/span><\/span><\/div>\n
Nelson\u00a0Sanjad, Mus\u00e9e\u00a0Goeldi, Bel\u00e9m, Par\u00e1, Br\u00e9sil<\/span><\/div>\n
Jacques Huber \u00e9 um bot\u00e2nico que viveu na Su\u00ed\u00e7a, na Fran\u00e7a e no Brasil. Proponho uma an\u00e1lise de sua obra (cient\u00edfica e art\u00edstica, pois trata-se tamb\u00e9m de um excelente fot\u00f3grafo) em perspectiva transacional, isto \u00e9, a partir de experi\u00eancias de vida em diversos pa\u00edses e l\u00ednguas, sob diversas influ\u00eancias intelectuais. Suas viagens, participa\u00e7\u00f5es em exposi\u00e7\u00f5es internacionais mas tamb\u00e9m algumas de suas \u201cfotografias etnogr\u00e1ficas\u201d demonstram um encontro com o Outro nem sempre preconceituoso, estereotipado ou hier\u00e1rquico, mas algumas vezes permeado de empatia.<\/span><\/span><\/div>\n
\u00a0<\/span><\/div>\n
Table 3\u00a0:<\/b><\/span>\u00a0<\/b><\/span>Les repr\u00e9sentations de l\u2019Autre et l\u2019invention de l\u2019Ailleurs (16h-17h45), salle Delpy<\/b><\/span><\/div>\n
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Mod\u00e9ratrice<\/b>\u00a0: Maria-Benedita\u00a0Basto,<\/div>\n
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La revue<\/b><\/span>\u00a0<\/b><\/span>Le Tour du Monde<\/i><\/b><\/span>\u00a0<\/b><\/span>(1860-1914) et la \u00ab red\u00e9couverte \u00bb de l\u2019Amazonie en France<\/b><\/span><\/div>\n
Nataly Jollant, Sorbonne Universit\u00e9.<\/div>\n
Au cours du XIXe<\/sup><\/span>\u00a0si\u00e8cle, les revues de vulgarisation scientifique sont devenues des supports incontournables pour la diffusion d\u2019informations sur l\u2019Amazonie. Ainsi, elles ont particip\u00e9 \u00e0 la \u00ab\u00a0red\u00e9couverte\u00a0\u00bb de la r\u00e9gion en France. Parmi les p\u00e9riodiques les plus populaires dans ce pays, se trouvait la revue\u00a0Le Tour du Monde<\/i>. C\u2019est pourquoi l\u2019analyse des images v\u00e9hicul\u00e9es dans cette revue peut apporter un \u00e9clairage int\u00e9ressant sur les enjeux culturels, politiques et scientifiques qui conjugu\u00e9s, allaient servir \u00e0 la construction discursive de l\u2019Amazonie en Europe.<\/div>\n
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Identidades inscritas nos corpos: o espet\u00e1culo \u00ab\u00a0A Inven\u00e7\u00e3o do Nordeste\u00a0\u00bb, do Grupo Carmim (BR)<\/b><\/span><\/span><\/div>\n
Juliana Coelho de Souza Ladeira, Universidade de S\u00e3o Paulo.<\/span><\/div>\n
Em \u201cA Inven\u00e7\u00e3o do Nordeste\u201d do Grupo Carmim, o espectador se confronta com um exerc\u00edcio c\u00eanico cont\u00ednuo de elabora\u00e7\u00e3o do que seria o \u201caut\u00eantico nordestino\u201d. Os atores empregam seus corpos, vozes e um conjunto de elementos c\u00eanicos para tentarem dar uma forma concreta a essa figura. Assim, eles acabam por materializar em cena conceitos abstratos e complexos, aproximando-os do p\u00fablico, num jogo repleto de humor, auto-ironia e relatos auto-biogr\u00e1ficos.<\/span><\/div>\n
\u00a0<\/span><\/div>\n
Algumas considera\u00e7\u00f5es em torno do espet\u00e1culo<\/b><\/span><\/span>\u00a0<\/b><\/span><\/span>\u00ab\u00a0A Inven\u00e7\u00e3o do Nordeste\u00a0\u00bb<\/b><\/span><\/span><\/div>\n
Quit\u00e9ria Kelly, actrice et metteuse en sc\u00e8ne du spectacle \u00ab\u00a0A Inven\u00e7\u00e3o do Nordeste\u00a0\u00bb<\/div>\n
A interven\u00e7\u00e3o de Quit\u00e9ria Kelly versar\u00e1 sobre as motiva\u00e7\u00f5es que levaram o grupo Carmim a criar o espet\u00e1culo, al\u00e9m de comentar a recep\u00e7\u00e3o do mesmo nas diferentes regi\u00f5es do pa\u00eds.<\/span><\/div>\n
\u00a0<\/span><\/div>\n
https:\/\/crimic-sorbonne.fr\/manifestations\/journee-detude-lalterite-en-scene\/<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Lien Zoom : https:\/\/us02web.zoom.us\/j\/87431034292 ID de r\u00e9union : 874 3103 4292\u00a0 Table 1\u00a0: L\u2019Alt\u00e9rit\u00e9 dans la fiction litt\u00e9raire (10h-12h), salle Carlos Serrano \u00a0 Mod\u00e9ratrice\u00a0: V\u00e9ronique Bonnet, ma\u00eetre de conf\u00e9rences en litt\u00e9ratures francophones, Universit\u00e9 Sorbonne Paris Nord Figuration de la barbarie dans la fiction de Maria Firmina dos Reis Jessica Assard, doctorante \u00e0 Sorbonne Universit\u00e9 La […]<\/p>\n","protected":false},"author":4,"featured_media":5148,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-5147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-coloquio"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/posts\/5147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/comments?post=5147"}],"version-history":[{"count":1,"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/posts\/5147\/revisions"}],"predecessor-version":[{"id":5149,"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/posts\/5147\/revisions\/5149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/media\/5148"}],"wp:attachment":[{"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/media?parent=5147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/categories?post=5147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.epefrance.org\/fr\/wp-json\/wp\/v2\/tags?post=5147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}